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Words from a Blerd
Have you heard? The blerd’s the word.Dear Sade…We Have Waited a Long, LONG Time for You
February 9, 2010 Part of my job is to go and visit record stores, make sure they’re carrying the product we sell. I try to time my visits so they occur on one of two days: either on Friday (because by the end of the week I have the worst cabin fever in the world) or on Tuesday (because that’s when new music comes out). This week’s major new release is the first album in 10 years from British Band Sade. This album, entitled “Soldier of Love” is as widely anticipated as Maxwell’s “BLACKsummer’snight” was last year. Actually, more so-because white people actually know who Sade is.

In an age when popular music is nowhere near as musically or lyrically sophisticated as it was when I was a kid, having a band like Sade (notice I keep saying BAND, not ARTIST) release an album is like getting a ray of sunshine when you’re buried up to your hips in dirty slush (there goes a bad weather reference). A new Sade album also means that there’ll be another few songs to add to the playlist that plays in the background when you’re doing the nasty. Some people find Sade a little depressing, and that can be the case (“Jezebel” and “Feel No Pain” come to mind), but more often than not, their songs are classily erotic.

Anyhow, with Valentine’s Day around the corner (the less said about that holiday, the better), I’m sure that “Soldier of Love” will sell like hotcakes.

You can find a complete list of this week’s new releases at Pause and Play, a valuable resource for me (and many others!).

Also of interest today: new albums by Gil-Scott Heron (which I’ll write up individually at some point this week), and Massive Attack, which I’m on the fence about. I think I might need to hear some samples first.

Posted in New Releases, music, soul music | Tagged Gil-Scott Heron, Massive Attack, Maxwell, new music, New Releases, Pause & Play, Sade, Soldier of Love, Valentine’s Day | 8 Comments »

Hope I Die Before I…Hey, Wait a Sec…
February 8, 2010 Super Bowl 44 was exciting enough-at least until Manning got intercepted halfway through the 4th quarter. Although I put money on Indianapolis to win, I’m kinda glad it went to New Orleans. When the best things to come out of your city in the past twenty years are Lil Wayne and Harry Connick Jr., you deserve all that you get.

Man, but did you check out that halftime show? Never mind the fact that Queen Latifah’s performance of “America the Beautiful” sucked donkey dick (not to say Dana isn’t a pleasant enough vocalist, but that was a bad song choice) and the commercials were all mediocre (Dave, Jay and Oprah gave me a chuckle, though…so did Tracy Morgan and Stevie Wonder…oh, and that Doritos kid!!!). Did that performance by The Who stink or what? I don’t know, man. Not that there’s anything wrong with Townshend and Daltrey going out there and doing they’re thing, but…holy shit, they’re old. I mean, Springsteen’s 60, but he doesn’t look like an old man when he’s on stage. Pete and Roger looked like they should have been starring in a Geritol commercial. It just seemed really lame. After a couple of great halftime shows, this was definitely a letdown.

(This is where I’d post video of Prince playing the halftime show a couple of years back, but a) you know damn well ain’t no footage of that anywhere on the internet, and b) I don’t want Prince to sue my black ass.

Seriously, though. Aside from the obvious CSI connection, what was even the point of having The Who perform? I suppose Janet and Justin scared folks away from having a youth-oriented halftime show, but just about anyone would have been better than The Who!!

(unfortunately, the only version I could embed was altered by some jackass)

Posted in Sports, music, pop culture | Tagged Super Bowl 44, football, NFL, Indianapolis Colts, New Orleans Saints, Peyton Manning, Lil Wayne, Harry Connick Jr., The Who, halftime show, Pete Townshend, Roger Daltrey, Prince, Bruce Springsteen, Janet Jackson, Justin Timberlake, Nipplegate | 2 Comments »

The Blerd’s The Word
February 8, 2010 So, what the hell is a Popblerd? Well, the name of this blog has two meanings for me. First, a “blerd” is a black nerd. I first heard the term used by Donald Faison, who plays my favorite character (Chris Turk) on one of my favorite TV shows (“Scrubs”) during an interview on one of those late night shows (might have been Letterman). I tried like hell to find the interview on YouTube, but someone must’ve taken it down.

Well, I’m certainly black. I guess the “nerd” part is debatable. I mean, I’m not a nerd in the Steve Urkel sense-although I certainly was at some point (I wore prescription goggles a la Kareem Abdul Jabbar to school for a year instead of regular specs). I’m not a nerd in the socially awkward, no-game way. I’m a nerd in the sense of being fanatical about something-in this case pop culture, specifically the years of my youth (1980-2000 roughly). I’m kinda glad that folks have taken back the word “nerd” and it gets used almost as a compliment/term of endearment.

Also, the word “blerd” is pronounced the same as the word “blurred”, and I’d like to think that the things I get excited about aren’t specific to an ethnic group or any other kind of minority. It’s a blur of different things-a little bit of thug, a little bit of “bro”, a little bit of geek, a little bit of misanthrope, a little bit Chuck D., a little bit Carlton Banks, a little conservative, a little liberal, a little bit stoner, a little bit jock, a little bit of gay. I think most of the friends who’ll be popping up in posts from time to time have the same kind of vibe. I hope that you enjoy the things I write about here, and I also hope that you make Popblerd a regular destination. Thanks for reading-there’s a lot to look forward to here.

Posted in Uncategorized | Tagged black nerd, bloopers, Carlton Banks, Chris Turk, Donald Faison, pop culture, Popblerd, Scrubs, socially awkward, Steve Urkel | 1 Comment »

Past Blerd Blurbs
Select Month February 2010
Categories
music New Releases pop culture soul music Sports Uncategorized Popblerd at Twitter
» Reading: “CD Review: Sade, “Soldier of Love””( http://twitthis.com/6lxdvt ) 2 hours ago
» Dear Sade…We Have Waited a Long, LONG Time for You: http://wp.me/pNkvr-m 5 hours ago
» Don’t you hate when you walk into a room and can’t remember what you walked into the room for? 23 hours ago
» Hope I Die Before I…Hey, Wait a Sec…: http://wp.me/pNkvr-f 1 day ago
» The Blerd’s The Word: http://wp.me/pNkvr-c 1 day ago
Comments
blerdwords on Dear Sade…We Have Waited…
Andrew Gray on Dear Sade…We Have Waited…
L.Byrd on Dear Sade…We Have Waited…
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PLASTER & BUILD

http://www.youtube.com/watch?v=lXKyadfvOY8&feature=fvw

<http://video.yahoo.com/watch/5576849/14644191
AMERICAN CLAY PLASTER

The application of simple local construction techniques for the central market in Koudougou, the third largest city in Burkina Faso, demonstrates the superior attributes of a vernacular material in response to the climatic challenges of the region. In addition to which, it can also be seen just how tamped mud-bricks can be implemented for a truly intricate architecture of vaults, domes and arches.
A total of 1155 shops in 125 buildings have been created, as well as 624 market stands in a market hall measuring 3000 square metres.
The utilisation of mud-bricks in this participatory project allowed the importation of costly building materials to be kept to a minimum, while long-term employment and training opportunities were made available for many local workers.
aWelcome to American Clay Enterprises—the Original Earth Plaster—made in New Mexico! Our products provide a nontoxic, creative solution for beautiful interior finishes for your homes, offices, inns and hotels, spas—anywhere beauty and health are important.
Mission Statement

Our mission is to bring universal awareness to the value of environmentally conscious products for our indoor living spaces. Through the production and success of our sustainable–beautiful Clay Plasters and associated products, we will alter the expectations for quality, beauty, health, and value surrounding the wall surface industry.

Further, our commitment to our customers is to achieve ‘Customer Amazement’! Our employees are integrated into the fabric of Our Mission—feeling respected and empowered to achieve their highest potential.

Shibam Yamen

Mudobe in Peru

http://news.bbc.co.uk/2/hi/americas/8201971.stm
Professor Marcial Blondet explains how the adobe structure works

Since 1970, Peru has been hit by five powerful and deadly earthquakes. The latest struck Peru’s coast exactly two years ago with a magnitude of 8.0 on the Richter scale.

It fiercely shook the capital Lima, but its devastating epicentre was about 200km (124 miles) to the south, near the town of Pisco, a small fishing port built largely of adobe – mud bricks which Peruvians have used for thousands of years.

More than 500 people were killed and about 75,000 homes were left uninhabitable.

For Peruvian engineer Marcial Blondet, it was the devastating quake in 1970 that first motivated him to develop earthquake-resistant buildings, particularly for those who could least afford them.

Some 70,000 people died in the mountainous region of Huaraz, many of them in an avalanche of snow, ice and rock which obliterated the town of Yungay. It was the deadliest earthquake in Latin American history.

‘Tragic combination’

“Adobe and earthquakes are a perverse and tragic combination,” says Mr Blondet.

“We are right in the middle of the most seismic area in the world. We’ve had many, many huge quakes and we are still waiting for the super big one.

“But a very large percentage of the people here are poor, so adobe is the only thing they can use to build their homes. Unfortunately, that’s the case for millions of people in seismic zones around the world.”

During more than 35 years of research, Mr Blondet and his team have tried a range of natural and industrial materials to try to reinforce weak mud-brick structures. Bamboo cane was one option, but there is not enough of it.

The people on the street are killed by the walls that fall out, the people inside are killed by the roof that falls in
Marcial Blondet

Mud-brick structures are tested vigorously on shaking tables which simulate earthquakes in the structural engineering laboratory at Lima’s Catholic University.

Watching the simulations, it is easy to see just why adobe houses, home to about 40% of Peruvians, are such death-traps.

First a vertical crack appears, then the outer wall falls outwards, before the other walls crumble and the roof caves in.

“The people on the street are killed by the walls that fall out, the people inside are killed by the roof that falls in. It’s terrible,” says Mr Blondet.

“No-one should live in a house that behaves like this. A house is a place where we go when we want to feel protected and safe, so it’s unbearable, completely unacceptable – an abomination – that your house kills you.”

Finally, Mr Blondet and his team found a solution in an industrial plastic mesh used by mining companies to hold back earth on slopes. It is strong, cheap and easy to use.

Securely enveloping a normal mud-brick home in the mesh can prevent the walls from collapsing in an earthquake. The building wobbles but it does not fall down

Sacred Earth

What is Sacred about earth.?
KYRGYZSTAN: SACRED MOUNTAIN DECLARED COUNTRY’S FIRST UNESCO WORLD HERITAGE SITE
David Trilling 7/10/09

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Sulaiman Too gets global recognition. (David Trilling for EurasiaNet)

Long a center of pilgrimage in the Ferghana Valley, in recent times Osh’s Sulaiman Too mountain has been subject to both Soviet revisionist history and picnickers keen to leave their mark.

Now, the spot — where pre-Islamic rituals are blended with formal Muslim worship — has been declared Kyrgyzstan’s first UNESCO World Heritage Site. The 295-hectare complex, including the mountain, surrounding cemeteries and old residential districts, was chosen at a meeting on June 26 in Seville, Spain, for its historical and cultural significance to the Ferghana Valley.

First appearing in the region in the 17th Century, the name refers to the prophet Sulaiman of the Old Testament. Some say Sulaiman — better known in the West as King Solomon, builder of Jerusalem’s first temple — is buried on the mountain. ’Too’ means mountain in Kyrgyz.

Sulaiman Too “dominates the Ferghana Valley and forms the backdrop to the city of Osh, at the crossroads of important routes on the Central Asian Silk Roads,” reads a UNESCO statement.

Home to 101 “sites with petroglyphs representing humans and animals as well as geometrical forms . . . The site numbers 17 places of worship, which are still in use, and many that are not.”

“Cult sites” on Sulaiman Too “are believed to provide cures for barrenness, headaches, and back pain and give the blessing of longevity. Veneration for the mountain blends pre-Islamic and Islamic beliefs. The site is believed to represent the most complete example of a sacred mountain anywhere in Central Asia, worshipped over several millennia,” the statement continues.

Visitors are active participants in old superstitions, whether for conviction or fun. At one spot on the smooth stone edifice, guests reach inside a cave the width and length of a human arm in order to heal all sorts of aliments; at another, women are encouraged to slide down a magic stone worn smooth by centuries of female visitors seeking to conceive.

Stairs lead to the higher of the two peaks where a small mosque is said to have been built by the Emperor Babur — founder of the Moghul Dynasty — in the 16th Century. It was mostly destroyed in Soviet times and reconstructed during the Perestroika era.

Below, a Soviet-era museum carved out of the rock houses local artifacts.

UNESCO has twice before considered adding Sulaiman Too to its list of sites with universal cultural and natural value. The list now includes 890 properties throughout the world.

At a press conference announcing the listing on July 1, Culture Minister Sultan Raev said he hoped Osh’s increased fame would draw tourists and suggested a direct flight from Istanbul to Osh could soon commence.

Editor’s Note: David Trilling is the Central Asia Coordinator for EurasiaNet.

Posted July 10, 2009 © Eurasianet

http://www.eurasianet.org

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In the Judeo-Christian region of the Middle East there are four primary sacred mountains: Mt Ararat in eastern Turkey, the traditional landing place of Noah’s ark; Mt. Sinai in the Sinai peninsula, the peak where Moses received the Ten Commandments; Mt. Moriah or Mt. Zion in Israel, where lies the city of Jerusalem and the temple of Solomon; and Mt. Tabor in Israel, the site of the transfiguration of Jesus. Mt. Sinai, also called Mt. Horeb and Jebel Musa (the ‘Mountain of Moses’) is the center of a greatly venerated pilgrimage destination that

includes the Monastery of St. Catherine and the Burning Bush, Elijah’s Plateau, and Plain of ar-Raaha.
Moses, the traditional founder of Judaism, was born in Egypt, the son of a Hebrew slave. The Hebrews had been in bondage in Egypt for four hundred years from approximately 1650-1250 BC. Near the end of this period an Egyptian priest in the service of the Pharaoh made a prophecy that a child would be born to the Hebrews that would one day free them from their slavery. The Pharaoh, on hearing this prophecy, ordered that every male child born to the Hebrews should be killed by drowning. In hopes of preventing his death, Moses’ parents placed him in a small basket, which they set adrift on the Nile. He was found by the daughter of the Pharaoh and subsequently raised as an adopted son of the royal family. During his upbringing he was extensively educated in the esoteric and magical traditions of the Egyptian mystery schools. At the age of forty Moses discovered that his original people, the Hebrews, were in bondage to the Egyptians. Enraged at this cruel treatment, he killed an Egyptian overseer and fled into exile into the Sinai wilderness.
Approximately forty years later, while grazing his flocks on the side of Mt. Horeb, Moses came upon a burning bush that was, miraculously, unconsumed by its own flames. A voice speaking out of the fire (Exodus 3:1-13) commanded him to lead his people out of bondage in Egypt and return with them to the mountain. Upon his return Moses twice climbed the mountain to commune with god. Regarding the second ascent, Exodus 24: 16-18 states: And the glory of the Lord abode upon mount Sinai, and the cloud covered it six days; and the seventh day God called unto Moses out of the midst of the cloud. And the appearance of the glory of the Lord was like devouring fire on the top of the mount in the eyes of the children of Israel. And Moses entered into the midst of the cloud, and went up into the mount; and Moses was in the mount forty days and forty nights. During this time on the mountain Moses received two tablets upon which God had inscribed the Ten Commandments, as well as precise dimensions for the Arc of the Covenant, a portable box-like shrine that would contain the tablets. Soon thereafter, the Arc of the Covenant was constructed and Moses and his people departed from Mt. Sinai.
The Arc of the Covenant and its supposedly divine contents are one of the great mysteries of antiquity. According to archaic textual sources the Arc was a wooden chest measuring three feet nine inches long by two feet three inches high and wide. It was lined inside and out with pure gold and was surmounted by two winged figures of cherubim that faced each other across its heavy gold lid. Some scholars believe that the Arc may have contained, in addition to the Tablets of the Law, pieces of meteorites and highly radioactive rocks. In the ensuing two hundred and fifty years, between the time it was taken from Mt. Sinai to when it was finally installed in the temple in Jerusalem, the Arc was kept for two centuries at Shiloh, was captured by the Philistines for seven months, and then, returned to the Israelites, was kept in the village of Kiriath-Jearim. During this entire time it was associated with numerous extraordinary phenomena, many of which involved the killing or burning of often large numbers of people. Passages in the Old Testament give the impression that these happenings were divine actions of Yahweh, the god of the Hebrews. Contemporary scholars, however, believe that there may be another explanation. Writing in The Sign and the Seal (concerning his search for the lost Arc of the Covenant), Graham Hancock suggests that the Arc, and more precisely its mysterious contents, may have been a product of ancient Egyptian magic, science and technology. Moses, being highly trained by the Egyptian priesthood, was certainly knowledgeable in these matters and thus the astonishing powers of the Arc and its ‘Tablets of the Law’ may have derived from archaic Egyptian magic rather than the mythical god Yahweh.
Currently there is no archaeological evidence that the 7507 foot (2288 meter) granite peak of Jebel Musa on the Sinai Peninsula is the actual Mt. Sinai of the Old Testament and various scholars, such as Emmanuel Anati, writing in his comprehensive study, The Mountain of God, have proposed several alternative locations. The association of Jebel Musa with the Biblical Mt. Sinai seems to have first developed in the 3rd century AD when hermits living in caves on the mountain began to identify their mountain with the ancient holy peak.
On the peak of Jebel Musa stands a small chapel dedicated to the Holy Trinity. This chapel, constructed in 1934 on the ruins of a 16th church, is believed to enclose the rock from which God made the Tablets of the Law. In the western wall of this chapel is a cleft in the rock where Moses is said to have hidden himself as God’s glory passed by (Exodus 33:22). Seven hundred and fifty steps below the summit and its chapel is the plateau known as Elijah’s Basin, where Elijah spent 40 days and nights communing with God in a cave. Nearby is a rock on which Aaron, the brother of Moses, and 70 elders stood while Moses received the law (Exodus 24:14). Northwest of Elijah’s plateau hardy pilgrims visit Jebel Safsaafa, where Byzantine hermits such as St. Gregory lived and prayed. Beneath the 2168 meter summit of Ras Safsaafa stands the Plain of ar-Raaha, where camped the Israelites at the time Moses ascended the mountain and where Moses erected the first tabernacle.
The assumed identification of Jebel Musa with the Biblical Mt. Sinai was a powerful attraction to hermits and pilgrims of the early Christian era. Certainly the most famous of these pilgrims was Helena, a 4th century Byzantine empress who confirmed her belief in the authenticity of Jebel Musa by constructing the first church in the area. Traditionally called the Chapel of the Burning Bush, it was constructed at the exact site where grew a rare specimen of Rubus sanctus, the still-living shrub which the monks believe is the original Burning Bush. A monastic community soon developed around this chapel and, to protect both the monks and the chapel from the attacks of roving Bedouin marauders, the Byzantine Emperor Justinian I built a fortress-like basilica around the chapel in 542 AD. The basilica was called the Church of Transfiguration, in memory of the transfiguration of Jesus in the presence of Moses and Elijah on sacred Mt. Tabor.
The Monastery of the Transfiguration is also called St. Catherine’s Monastery after the early Christian martyr, St. Catherine. Born as Dorothea of Alexandria in 294 AD, she was later tortured and beheaded by the Roman emperor Maximus for incessantly criticizing him for his worship of pagan idols (which was merely an age-old veneration of earth-spirit deities). Legend says Catherine’s body miraculously vanished and was transported by a band of angels to the top of Jebel Katerina, the highest peak in the Sinai Peninsula. Three centuries later, monks found her supposedly uncorrupt body and brought it down to the Monastery of the Transfiguration, where some of her relics and certainly her name remain to this day.
After the Empress Helena, the next famous pilgrim to the Jebel Musa and the monastery was the Prophet Mohammed. Being well treated by the Orthodox Christian monks, Mohammed gave his personal pledge of protection, which then became incumbent on all Muslims thereby ensuring the monasteries continued existence. through the 14th centuries many thousands of pilgrims came annually and that the journey from Cairo took eight days by foot and camel. Following the Reformation, the popularity of Christian pilgrimage drastically declined and until the mid 1900’s no more than 80-100 pilgrims made the arduous journey each year. In the 1950’s the Egyptian government paved roads leading to oil fields and mines along the western Sinai coast and also developed a dirt track to the foot of Jebel Musa and the monastery, which allowed increasing numbers of secular tourists to travel in taxis from Cairo. The Israeli occupation of the Sinai in 1967, the return of the region to Egypt in 1980, and the completion of a paved road further increased the number of visitors to Jebel Musa. Bus service to and from Cairo became available on a daily basis in 1986 and today it is not uncommon for a hundred or more pilgrims and tourists to visit the ancient sacred site in a single day. Currently Greek Orthodox monks tend the monastery and its extraordinary collection of Byzantine art.

Alternate possible locations of Mt. Sinai

Outstanding Universal Value

Brief Synthesis

Sulaiman-Too Mountain dominates the surrounding landscape of the Fergana Valley and forms the backdrop to the city of Osh. In mediaeval times Osh was one of the largest cities of the fertile Fergana valley at the crossroads of important routes on the Central Asian Silk Roads system, and Sulaiman-Too was a beacon for travellers. For at least a millennium and a half Sulaiman-Too has been revered as a sacred mountain. Its five peaks and slopes contain a large assembly of ancient cult places and caves with petroglyphs, all interconnected with a network of ancient paths, as well as later mosques. The mountain is an exceptional spiritual landscape reflecting both Islamic and pre-Islamic beliefs and particularly the cult of the horse. Sulaiman-Too corresponds closely to iconic images in the Universe of Avesta and Vedic traditions: a single mountain with a peak dominating four others, standing in the virtual centre of a vast river valley, and surrounded by and related to other mountains in the landscape system.

Criterion (iii): The rich concentration of material evidence for cult practices preserved on Sulaiman-Too mountain from pre- and post-Islamic times, together with its ‘ideal’ form present the most complete picture of a sacred mountain anywhere in Central Asia.

Criterion (vi): Sulaiman-Too presents exceptionally vivid evidence for strong traditions of mountain worship which have spanned several millennia and been absorbed successfully by Islam. It has had a profound effect over a wide part of Central Asia.

Integrity and Authenticity

The authenticity of the mountain, its cult places, uses and functions are without doubt, even given the numerous interventions over the past 50 years. However, since the sacred associations of the mountain are linked to its dramatic form rising from the surrounding plain, it is highly vulnerable to continuing new development on it and around its base. In order to protect its majesty, spirituality, visual coherence and setting and thus the full authenticity of the property, great vigilance will be needed in enforcing protection of its setting. The integrity of the mountain relies on protection of the cult places and their connecting paths as well as their visual linkages and views to and from the mountain.

Management and protection requirements

The management of the mountain and its setting is coordinated by a Site Management Council who oversees the implementation of the Management Plan and Action Plan. Its effective protection relies on approval of an agreed zoning arrangement within the Osh Master Plan. To protect the property and its buffer zone against modern developments during the period before the completion and final approval of the Legal Protection Zoning Document and the Osh Urban Master Plan, a map showing the agreed boundaries of the nominated area, of the buffer zone and its sub-zones have been distributed as a reference to the responsible agencies of the Osh oblast, Osh city, Karasu district and Kyzylkyshtak rural area.

Polyglout:
Polyglot may refer to:
Polyglot (person), someone who aptly and with a high level of fluency uses many languages. The word derives from the Ancient Greek πολύγλωττος (poluglōttos, “’many-tongued, polyglot’”), from πολύς (polus, “many”) + γλῶττα (glōtta, “’tongue, language’”)
Polyglot (book), a book that contains the same text in more than one language
A polyglot Bible, an edition of the Bible with the texts in different columns in different languages, especially those in which early versions of the text exist; several versions have been produced.
Funningly , this is what most people call me.
My email is darhomes@yahoo.com……if U want to know more.!

The American Dream!

LA-RIBA
Institute of Islamic Finance

Bulletin 2:
The American dream of Home Ownership, are Muslims part of this ?.

The central tenet of the ownership society is that we tend to take best care of the things we own, and through which we exercise our liberty; property rights inspire people to act responsibly, to treat one another with dignity and respect, and to create wealth for themselves and others.

Are the Muslims being denied from this liberty and rights because of Interest charged on
home mortgages ?
The irony of this is that I was not given this same civil liberty when I lived in Saudi Arabia
for over 15 years, and now that I am a permanent residence in the USA , I find that the
system deprives me from home ownership because it is “Haram’ or not permissible to
pay interest.

“All Men are animated by the Passion of acquiring and defending Property, because Property is the best Support of that Independency, so passionately desired by all Men.Property is a necessary condition for independence. “
If this is true and I have no doubt that that is so….Then I where again , I have lost my
independence by living in a Western society.
This brings me to a debate that I had with a Muslim brother in Makkah,when he learnt that
I was leaving Saudi Arabia for a permanent residence in the USA.He said that this was
”Haram” an d I should consider my decision.Well, here I am now in the USA and I agree with
the brother.
James Madison, primary author of the U.S. Constitution, directly connected property and rights, for “as a man is said to have a right to his property, he may be equally said to have a property in his rights.” Indeed, the terms “property” and “rights” are used virtually interchangeably during the Founding period.
Without ownership of printing presses, paper, and ink, there can be no free press. Without ownership of land and buildings, there can be no freedom of association, no freedom of common worship, no freedom of action generally. A free society is of necessity an ownership society.

If this is the case, where does this leave Muslims that can not owe property because of their
belief. Are we to surrender to the system and say that there is no way out.?

Our Communities need to do better than just lay back and accept the conventional banking
mortgage system of the western world with the excuse that we do not have a choice.
We need to establish our own Islamic Financial Institutions to cater for home ownership, business finances, insurances i.e An Islamic Bank in USA. Or an equivalent ..

What is an Islamic Bank or financial Institition?

The best known feature of Islamic banking is the prohibition on interest. The Qur’an forbids the charging of Riba on money lent. It is important to understand certain principles of Islam that underpin Islamic finance. The Shari’ah consists of the Qur’anic commands as laid down in the Holy Qur’an and the words and deeds of the Prophet Muhammad (s.a.w.). The Shari’ah disallows Riba and there is now a general consensus among Muslim economists that Riba is not restricted to usury but encompasses interest as well. The Qur’an is clear about the prohibition of Riba, which is sometimes defined as excessive interest. “O You who believe! Fear Allah and give up that remains of your demand for usury, if you are indeed believers.” Muslim scholars have accepted the word Riba to mean any fixed or guaranteed interest payment on cash advances or on deposits. Several Qur’anic passages expressly admonish the faithful to shun interest
Though Interest-free banking is of very recent origin. The earliest references to reorganization of banking on the basis of profit sharing rather than interest are found in Anwar Qureshi (1946),
I look forward to your participation in this debate with ideas,

Jazaak-Allah- Kairan

Ibrahim Khadar
La-Riba Corp.

.

Playing on Poverty

Playing on the POOR-Microfinance programs

Programs that work in the name of:”microfinance ” and claim to serve poor clients through Micro Finance banks in Latin America, Africa, , and the Middle East war zones and post-war zones, in areas where AIDS and HIV are rampant, and in areas torn by ethnic strife.Is on the
increase. A project started by a Professor in poor Bangladesh has
spread like the Californian fire and is attracting the POOR.
My question is this:Why the POOR?
What is the interest charged?
To be continued….Ibrahim Khadar (Darhomes@yahoo.com)

The Village Banking is the latest programs that claims to work closely with our low-income clients, providing them with the tools to raise their incomes and enter the global economy. We at MUDOBE offer an array of microfinance services, and we tailor those services to local circumstances and to what clients say they want.i.e : In a small
village in Sierra Leone , West Aftica we are starting an Islamic Micro
finance www.ebaitalmal.com
Do you want a free website tutorial? Call brother Ibrahim Khadar at
darhomes@yahoo.com(my email address-no phone calls , please.


Website Design, Promotion, Revenue and Scripting Tips – Lots of free tips, tutorials and articles on every aspect of your website. It’s a one-stop comprehensive guide to managing your site.

MUD is CLAY

Formation
Clay minerals are typically formed over long periods of time by the gradual chemical weathering of rocks, usually silicate-bearing, by low concentrations of carbonic acid and other diluted solvents. These solvents, usually acidic, migrate through the weathering rock after leaching through upper weathered layers. In addition to the weathering process, some clay minerals are formed by hydrothermal activity. Clay deposits may be formed in place as residual deposits, but thick deposits usually are formed as the result of a secondary sedimentary deposition process after they have been eroded and transported from their original location of formation. Clay deposits are typically associated with very low energy depositional environments such as large lake and marine deposits.

Primary clays, also known as kaolins, are located at the site of formation. Secondary clay deposits have been moved by erosion and water from their primary location[2].
[edit] Definition

Clays are distinguished from other fine-grained soils by differences in size and/or mineralogy. Silts, which are fine-grained soils which do not include clay minerals, tend to have larger particle sizes than clays, but there is some overlap in both particle size and other physical properties, and there are many naturally occurring deposits which include both silts and clays. The distinction between silt and clay varies by discipline. Geologists and soil scientists usually consider the separation to occur at a particle size of 2 µm (clays being finer than silts), sedimentologists often use 4-5 μm, and colloid chemists use 1 μm.[1] Geotechnical engineers distinguish between silts and clays based on the plasticity properties of the soil, as measured by the soils’ Atterberg Limits. ISO 14688 grades clay particles as being smaller than 0.002 mm and silts larger.
Quaternary clay in Estonia.
[edit] Grouping

Depending on the academic source, there are three or four main groups of clays: kaolinite, montmorillonite-smectite, illite, and chlorite. Chlorites are not always considered a clay, sometimes being classified as a separate group within the phyllosilicates. There are approximately thirty different types of “pure” clays in these categories, but most “natural” clays are mixtures of these different types, along with other weathered minerals.

Varve (or varved clay) is clay with visible annual layers, formed by seasonal differences in erosion and organic content. This type of deposit is common in former glacial lakes.

Quick clay is a unique type of marine clay indigenous to the glaciated terrains of Norway, Canada, Northern Ireland and Sweden. It is a highly sensitive clay, prone to liquefaction, which has been involved in several deadly landslides.
[edit] Historical and modern uses
Clay layers in a construction site. Dry clay is normally much more stable than sand with regard to excavations.

Clays exhibit plasticity when mixed with water in certain proportions. When dry, clay becomes firm and when fired in a kiln, permanent physical and chemical reactions occur. These reactions, among other changes, cause the clay to be converted into a ceramic material. Because of these properties, clay is used for making pottery items, both practical and decorative. Different types of clay, when used with different minerals and firing conditions, are used to produce earthenware, stoneware, and porcelain. Prehistoric humans discovered the useful properties of clay, and one of the earliest artifacts ever uncovered is a drinking vessel made of sun-dried clay.[citation needed] Depending on the content of the soil, clay can appear in various colors, from a dull gray to a deep orange-red.

Clay tablets were used as the first writing medium, inscribed with cuneiform script through the use of a blunt reed called a stylus.

Clays sintered in fire were the first form of ceramic. Bricks, cooking pots, art objects, dishware and even musical instruments such as the ocarina can all be shaped from clay before being fired. Clay is also used in many industrial processes, such as paper making, cement production and chemical filtering. Clay is also often used in the manufacture of pipes for smoking tobacco.

Clay, being relatively impermeable to water, is also used where natural seals are needed, such as in the cores of dams, or as a barrier in landfills against toxic seepage (‘lining’ the landfill, preferably in combination with geotextiles).[3]

Recent studies have investigated clay’s absorption capacities in various applications, such as the removal of heavy metals from waste water and air purification.
[edit] Medical and agricultural uses

A traditional use of clay, such as Armenian bole, is to soothe an upset stomach, similar to the way parrots (and later, humans) in South America originally used it.[4]

A more recent, and more limited, use is as a specially formulated spray applied to fruits, vegetables and other vegetation to repel or deter codling moth damage, and at least for apples, to prevent sun scald.

A recent article in The Journal of Antimicrobial Chemotherapy found that certain iron-rich clay was effective in killing bacteria.

KILN CLAY

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Glass fusing is simply the process of stacking two or more layers of compatible glass together to make a design. The stacked glass is placed in the super heated environment of a kiln where it melts together.

THE FUSING PROCESS
There are two basic fusing stages; heating and cooling. During the heating process the fusible glass is slowly taken from room temperature up to 1300 – 1500 degrees, depending upon the finished “look” we desire. When the glass is in this temperature range you can stop the fusing process at any time. This is when you will make the decisions that make your work unique. It’s your opportunity to be the artist.
• At 1300 degrees the project will have slightly rounded, polished edges and a textured surface.
• At 1500 degrees the top layer of glass will sink down into the bottom layer. The project will have a smooth surface and rounded edges.
During the cooling process we control the rate at which the glass cools and slowly bring it back to room temperature. The length of time that this takes is determined by the size of the project and the number of layers being fused. The larger the project and the greater the number of layers the longer this will take. Don’t rush this step it is critical to the success of your work! While the glass is cooling, it is going through an annealing phase, which occurs at approximately 960 degrees. I like to call it the “healing” phase. Keep in mind that you have just taken several layers of glass and forced them to become one. They need some time to adjust. Be nice to your glass!

MATERIALS / COMPATIBILITY
Glass expands when it is heated and contracts when it cools. When we fuse, we work within a family of products that have been “tested compatible” to have the same C.O.E (Coefficient of Expansion). These materials are specially formulated and pretested by the manufacturer for consistency. Don’t bother wasting your time working with the stuff you have laying around the garage. If it isn’t marked tested compatible it isn’t! Invest in fusible glass right up front; the success of your project depends on it. This is the best advice you will get today!

Tips for better projects:
• Cutting the glass: Take the time to cut the glass accurately. Grind the project pieces where necessary to improve the fit.
• Clean: Wash the glass before assembling the project with a mild detergent and water. Dry the glass thoroughly.
• Pattern Design: Construct your projects with 2 – 2 ½ layers of glass for greater consistency in size, shape and thickness. Layer 1 is the base. Layer 2 is the design layer and the third “half” layer is the accent.
• Glue: Lightly tack the design layer to the base layer so you can transport the project to the kiln without its shifting. Use a tooth pick or similar tool to apply a pin head or smaller size dab of Elmer’s white glue to the back side of the glass.
• Firing Speed: Slower is usually better. If you are not sure which firing program to use, err on the side of conservative and choose the slower program.

FREQUENTLY ASKED QUESTIONS

Q. Do you have to re-coat the kiln shelf with primer every time you use it?
A. If the shelf primer is in good condition it can be used more than one time. The shelf should be scraped,
sanded or washed clean with clear water and re-coated when the primer shows signs of wear. It’s time to re
prime when the coating becomes thin (usually where a project rested) has cracks, or begins to flake off.

Q. Why does kiln wash stick to the back of a project?
A. This is usually the result of exhausted kiln wash; the shelf should have been re-primed prior to use. It may
also occur when the glass has been fired to too high a temperature or kept at full fuse too long. The kiln wash
can be removed with fine steel wool or a scraping tool. Stubborn patches can be soaked off with bathroom
cleaning products used to remove hard chemical residue.

Q. After the project is fused, how close to room temperature do you have to be before opening the
kiln lid?
A. How badly do you want the project inside? Room temperature is usually well below 100 degrees. If you
open the lid prematurely thermal shock can occur; breakage caused by changing temperature too fast. Just a
quick peek in to the kiln, done too early can ruin your day. Wait, it will be worth it!

Q. What causes tiny bubbles and how do I get rid of them?
A. Air becomes trapped between the layers of glass when it is heated. The number and size of the air
bubbles can be reduced by heating the glass more slowly between the temperatures of 1000 – 1465
degrees. This gives the air more time to escape before the glass edges become sealed.

Q. How do I avoid big bubbles?
A. Large dome shaped bubbles will sometimes rise up in the middle of a medium – large (4″ x 4″ or bigger)
projects. This is usually the result of firing too fast on a ceramic kiln shelf. The outer edges of the project
become soft first and form a “seal” on the shelf. Air becomes trapped under the glass. When it expands it lifts
the glass. This is less likely to happen when using shelf paper or a fiber board kiln shelf, as the air can
escape through the porous materials. Best advice is to slow down the firing process.

Q. Can I stack kiln shelves?
A. This is not recommended in top fired kilns (kilns with elements in the lid). The heat from the lid element is blocked by the top shelf so the glass loaded on lower shelves does not receive the same amount of heatwork. You can stack shelves in kilns that are side fired only. For information on how to do this properly read this article.

Q. How does the thickness of the glass relate to my target temperature?
A. A project made with two layers of thin fusible glass will usually reach the desired “look” before a project
made with two layers of 1/8″ glass. When you change project sizes or materials (thin vs. 1/8″) you will want to
monitor the first few firings and make any necessary adjustments to your firing schedule.

Q. Can more than one project be fired in the kiln at one time?
A. Yes, as long as the projects are similar. They should be made from the same thickness glass, have the
same number of layers and be close is size. Use a firing speed for the largest project. Small projects will not
be harmed by firing slowly but a large project will suffer if rushed.

Q. What causes sharp edges on the project?
A. Dragging is usually caused by over firing a project that is resting on fiber paper. As the glass contracts and
draws in on itself the paper resists, sharp edges are the result. This edge can be made safe with a file or
grinder. After grinding the project can be put back in the kiln and heat until the ground edge is polished.

Q. Why is there debris between the glass layers?
A. Too much glue. Small amounts of glue will burn off leaving no trace. (See: Glue above for more info.) If
you use an excessive amount of glue it will burn becoming sealed between the layers, leaving dark blotches.
Excess glue can also cause small eruptions that will blow a hole through the glass or cause pieces to jump
and move in the kiln.

Q. What are the differences between using a ceramic kiln shelf or fiber paper?
A. Ceramic Shelf:
• Fused glass will take on the texture/ pattern of whatever it is fired on. If you fire on a ceramic kiln shelf
your project will have a smooth back surface. (Great for bowls, plates, fine art pieces; projects where
a sleek underside is desired.)
• Ceramic shelf is used over and over again.
• A ceramic shelf is dense; it retains heat which allows the glass to pass through the critical stages slowly.
• Ceramic shelves have to be primed frequently, this can be time consuming.
Fiber Paper:
• Shelf paper comes in a variety of thickness and finishes. Generally the thinner the material the
smoother the fusing surface. (Great for coasters, pins, wall art; projects where a textured back side
will make it easy to glue accessories on like rubber feet, pin backs etc.)
• The thin material can be used only once. The medium material can sometimes be reused; it leaves a
matt finish on the back of the project. The thick material can be used multiple times but the texture on
the back of the project will be course.
• The fiber paper is porous. Air can circulate, therefore large air bubbles are less likely to form between
the glass and the shelf.
• Shelf paper has to be cut to size and can be costly if you are using it every time you fire.

Q. What are the differences between ceramic molds and stainless steel forms?
A. Ceramic Molds:
• Ceramic molds come in a wide variety of sizes and shapes. They have to be primed like the ceramic
kiln shelf. The primer tends to last longer on a form than on a shelf because slumping temperatures
are lower than fusing temperatures. Slumping occurs at approximately 1200-1300 degrees.
• Ceramic molds are inexpensive and durable but they will break if dropped or used unprimed.
• Ceramic molds should be sanded and be re-primed if there are pits or cracks in the coating.
• Ceramic molds cool more slowly than the glass. Therefore most molds are shaped so the glass
slumps down into the mold, allowing the glass to contract first.

Stainless Steel Forms:
• Stainless steel forms come in a variety of shapes and sizes as well. They have to be primed also. The slick surface makes priming difficult. The form can be sanded, sandblasted or heated to make the priming process easier.
• Stainless steel forms are extremely durable “forever” molds. But they tend to be several times more expensive than ceramic molds.
• Steel forms should also be sanded and re-primed if there are pits or cracks in the coating.
• Steel cools more quickly than the glass. The metal contracts underneath the glass which gives the room needed to slide the draped piece off the form.

Good Luck! Lisa Vogt
Lisa Vogt is a successful glass artist, writer, instructor, and business owner. Her artwork and glass articles have been featured in numerous national magazines. Lisa has authored several books including a beginning glass fusing book called Get Fired Up!

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CERAMIC

One of the prime ingredients in toilet construction is slip, which is a combination of clays and minerals that becomes ceramic when put in intense heat. Watch how toilets are made on Discovery Channel’s “Some Assembly Required.”

http://videos.howstuffworks.com/discovery/30596-some-assembly-required-slip-and-toilet-construction-video.htm